13:3 Collective

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A neat display table is arranged in a minimalist gallery-like space, featuring framed artwork created with colored pencils and ink. The central piece is a vivid landscape in a simple matte-black frame, propped on a small easel, while surrounding pieces lie carefully stacked with corners slightly offset to reveal different designs. Beside them, a transparent donation box contains folded bills and a handwritten label reading "Commissary & Reentry Support." Diffused overhead lighting creates soft reflections on the donation box and subtle shadows beneath the frames. Photographic realism, composed using the rule of thirds from a slightly elevated angle, with a calm, professional atmosphere that communicates purpose, stewardship, and hope without any human figures present.

Our Mission

Walking with incarcerated artists and returning citizens as they rediscover identity, dignity, and purpose in Christ.

Ministry

A worn but carefully preserved leather-bound journal lies open on a smooth wooden table, its pages filled edge to edge with intricate pencil drawings and neatly written verses. A simple graphite pencil rests diagonally across the center crease, its tip slightly dulled. In the background, a small stack of manila envelopes is tied with twine, labeled with neat handwriting. Soft morning light filters through an unseen barred window, casting gentle linear shadows across the pages and table surface. Photographic realism with a calm, hopeful mood, shot at eye level with a shallow depth of field that keeps the journal in sharp focus while the envelopes blur softly behind, conveying dignity, creativity, and second chances without showing any people.

Weekly in-facility Bible studies offer discipleship, trauma-informed care, and gospel-centered encouragement for incarcerated men and women.

A close-up of an institutional metal desk surface, softened by a neatly arranged collection of art supplies: a box of well-used colored pencils organized by hue, a small stack of blank cardstock, and a folded letter addressed to "My Family" in careful hand-lettering. The envelope’s corner is tucked under a finished drawing of a sunrise breaking over stylized prison walls, rendered in vibrant oranges and blues. Cool daylight streams from the left as if through a barred window, creating gentle, linear shadows across the desk and emphasizing the texture of the metal. Photographic realism with a contemplative, hopeful mood, captured from an overhead perspective, emphasizing symmetry and clean composition without showing any people.

Art mentoring and reentry coaching help participants build portfolios, job skills, budgets, and Christ-centered community before and after release.

Upcoming Outreach

Sept12

Grace Chapel

Cincinnati, Ohio

Join night

Sept15

River City

Milwaukee, Wisconsin

Register free

Sept18

Freedom Church

Burgettstown, Pennsylvania

Reserve seat

Sept20

City Mission

Toronto, Ontario

Learn more

Sept22

Unity Center

Tinley Park, Illinois

Sign up

Sept25

Harbor Church

Hartford, Connecticut

Volunteer here

Sept27

Faith Fellowship

Toronto, Canada

Event details

Sept29

Hope Center

Hershey, Pennsylvania

Donate today

Oct1

New Life

Bangor, Maine

RSVP online

Special Initiatives Beyond Prison Walls

From pen-pal teams to care packages, we nurture consistent Christlike friendship that follows our inside family home.

A carefully organized reentry resource desk featuring a clean manila folder stamped "Release Plan" in blue ink, resting atop a stack of printed checklists and brochures about housing, employment, and faith-based support. A modest ballpoint pen lies parallel to the folder’s edge, and a small cross pendant sits gently on top of the paperwork, its brushed metal surface catching the light. Behind, a corkboard displays pinned note cards with words like "Hope," "Grace," and "Second Chance" written in bold marker. Warm, soft overhead lighting creates inviting highlights and gentle shadows. Photographic realism, shot at a slightly elevated angle with sharp focus throughout, conveying structure, preparedness, and compassionate professionalism in a people-free scene.
A neat display table is arranged in a minimalist gallery-like space, featuring framed artwork created with colored pencils and ink. The central piece is a vivid landscape in a simple matte-black frame, propped on a small easel, while surrounding pieces lie carefully stacked with corners slightly offset to reveal different designs. Beside them, a transparent donation box contains folded bills and a handwritten label reading "Commissary & Reentry Support." Diffused overhead lighting creates soft reflections on the donation box and subtle shadows beneath the frames. Photographic realism, composed using the rule of thirds from a slightly elevated angle, with a calm, professional atmosphere that communicates purpose, stewardship, and hope without any human figures present.
A worn but carefully preserved leather-bound journal lies open on a smooth wooden table, its pages filled edge to edge with intricate pencil drawings and neatly written verses. A simple graphite pencil rests diagonally across the center crease, its tip slightly dulled. In the background, a small stack of manila envelopes is tied with twine, labeled with neat handwriting. Soft morning light filters through an unseen barred window, casting gentle linear shadows across the pages and table surface. Photographic realism with a calm, hopeful mood, shot at eye level with a shallow depth of field that keeps the journal in sharp focus while the envelopes blur softly behind, conveying dignity, creativity, and second chances without showing any people.